A question came up today about when to use hard, medium, and low firing enamels.

Hard firing enamels are fired at a higher temperature as in the 1500’s degree range or longer in the kiln.

Medium firing enamels I think of using in 1400’s degree range, or at higher temp as 1500 degrees, but less time.

Low firing enamels maybe fired in the 1300’s or even in the 1400’s with less time.

The purpose of all this is to balance two things.

First the  expansion of the metal being used.

Second your technique being used.

Starting  with copper as it is used most commonly in enamels.

Copper oxidizes the fastest of the metals we use in enameling. We balance this by using medium firing enamels so they melt or fuse before the copper has time to oxide. And using higher temperatures. If it oxidizes the enamel is likely to flake off or just discolor, but many enameling on copper use the oxidation to get some beautiful colors.

Another way to balance this is to use finer grit of enamel. The finer grit will fuse quicker than a larger grit of enamel without allowing oxygen to get to the copper. Without oxidation the enamelist  achieves that beautiful gold or stunning golden orange copper color.

It is best to know the fusing points of all your enamels not only so you know which ones to apply as a base coat of enamel known as flux, which should be the hardest enamel, to avoid the lower layer to rise above the secondary layers as seen below.

1)

Low firing enamel on bottom

Low firing enamels vs high firing enamels

 

Above the flux was a lower firing enamel than the top coats. So as the top layers melted the flux rose up along the edges and the top layer of enamel puddled in the center.

 

2) Same here,

Low firing enamels vs hard firing enamels

Low firing enamels vs hard firing enamels

 

 

In this next image flux coat of enamel was not hard enough to prevent the following layers of enamel  from touching the sliver. And the brownish color of enamel is burning.

In cloisonné we never want our warm colors to touch the silver. It causes burning. Silver is going to hold heat longer than copper so we use a hard firing base. And in some incidences we will use several layers of the hard firing flux before layering in our warm colors to be very sure the red never touches the silver base.

Along the wall of the fine silver cloison wires I will put a fine line of blue to keep any warm color from burning.

Enamel burning

Enamel burning along the cloison wires.

 

A comment to address

“I’m torch-firing, I always have my work in my sight so I just watch for signs of melting, which happens very fast.  I’ve had “pull through” with Titanium White.  Titanium White really reacts nicely with copper and you can get some really lovely, but unpredictable, effects.  With a little over firing the enamel turns a beautiful rust color and in spots will be green.”

Yes these effects can be used to your advantage, this is the oxidation of the copper coming through. And in torch firing I realize you are not going by temperature and have the advantage of seeing all that is happening.

 

Enameling on copper, as in painting enamel  in this piece,

Hard firing enamels

When you need hard firing enamels

It is necessary to use a hard firing enamel = flux as it will be fired many times and I do not want the painting to disappear into the base coat of flux. Also in repeated firings the copper can still oxidize through the enamel and show a color change after many firings.  As I paint my image I need the painting enamel to adhere to the base coat of flux by firing the piece, then I can continue layering my painting with enamel colors (soft firing enamel) that fire at a lower temperature or less time. The domed metal add strength or less expansion. So it can handle a harder firing enamel without so much expansion or movement in the enamel. If the base coat was a lower firing enamel it would become soft enough in firing the image would distort as the enamel base or flux would move before the image enamels fuse. Painting enamels are a soft or low firing enamel= as they are ground to a face powder grit.

 

Make color plates

Make color plates

The enamel dot fourth from the left is still grainy after all the rest are fused. If you have three enamel on a plate, one hard firing, one medium firing, one low firing and fire the plate once, you will see they melt at different speeds.

If you want to use them all in one project just remember the hard is on the bottom then the medium and then the low firing enamel. This is also why you can use unleaded with leaded enamels as long as you put the unleaded on the bottom as it is a high fire enamel.

Happy Enameling!